Show Summary Details

Page of

PRINTED FROM OXFORD FIRST SOURSCE ( (c) Oxford University Press, 2013. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford FIRST SOURCE for personal use (for details see Privacy Policy and Legal Notice).

date: 02 August 2021

Abstract and Keywords

Some of the most remarkable visual records of colonial Mexico are the series of paintings called “caste” paintings, illustrating every racial combination of Spanish, mestizo, black, Native American, and other types thought possible in the New Spain of the eighteenth and early nineteenth centuries. Casta paintings were always created in a series, and each picture usually contains a male-female couple and at least one child. Occasionally more than one child and even other animal or human figures are depicted. At the top or bottom of the painting is an inscription that explains the racial mix shown in the image. At least 50 groups of these paintings have been identified, although very few survive today in complete series.

De Espanol y Negra, Mulato (From Spaniard and Black, Mulatto), attributed to Jose de Alcibar, c. 1760 Denver Art Museum: Collection of Frederick and Jan Mayer Photo (c)James O. Milmoe

Access to the complete content on Oxford First Source requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.